With Fiction Books stop on this comprehensive Blog Tour, being quite close to the final date, I’m sure that there are plenty of extracts, author guest posts and interviews which will have been shared, so why not visit a few of the earlier tour participants and see what goodies are on offer … after you have first read Adele’s amazing guest post, of course!!
I am pleased to have been included in this tour by the lovely folks at Aria Fiction and NetGalley
WHEN THE TIME COMES
Her husband says it’s suicide. The police say it’s murder.
Liam Buckley was a married man with two teenage children when he moved out of the family home to start a new life with his lover. His wife Jennifer never forgave him, but now she needs him to come back: she’s been diagnosed with a terminal illness, and the kids can’t cope alone.
One day after Liam moves home, Jennifer is found dead. Liam thinks it’s suicide. But the police, led by DS Louise Kennedy, are convinced it’s murder.
Liam hires a retired detective to help prove his innocence, but it’s no easy task. The children are distraught, and Jennifer’s best friend, Sarah, is waging a campaign against Liam, determined to expose him for a liar and a cheat.
As secrets surface from the complex web of Buckley family life, DS Kennedy must decide. Did Jennifer Buckley end her own life, or did Liam take it from her? The answer, when it comes, will shock them all…
Adele is a writer from Co. Wicklow, Ireland, who lives with her husband Alan and her two teenage daughters.
Influenced by writers across all genres, she has a particular fondness for fiction that is relatable and realistic.
Her debut novel, Brothers and Sisters, was awarded The Annie McHale Debut Novel Award for 2017 and is a character driven story of survival, dark family secrets and sibling loyalty, just like life. Her second novel Behind A Closed Door, is another emotionally harrowing tale of impossible choices, loyalty and friendship.
Adele writes overlooking the Irish Sea, which she credits for the tumultuous dynamics in the relationships and lives of her unsuspecting characters in her third novel, When The Time Comes, another dark tale that tests the lengths we go to, to protect the ones we love.
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BLOG TOUR GUEST POST
“Bringing Emotion To The Page“
For me, the measure of a good story is how much it makes me feel and as most writers will agree, a character that evokes an empathetic response, is a character that a reader will invest in. As a writer of issue based fiction, it’s heart-warming to hear that a reader was crying at a scene that made you cry when you wrote it and while scene setting and plot progression are important, it is finding the correct balance of emotion in a sub-text that can make all the difference to an authentic character and how they carry the story to a satisfying conclusion.
How do you do that, you say, when you couldn’t possibly have experienced everything that your characters have experienced, or have you?
The short answer is no .. but like any short answer it doesn’t really reflect the reality. I have and I haven’t. Let me explain…
The first idea for a novel, or the story concept begins very simply for me. It’s usually with an issue that piques my curiosity, either professionally or personally, and has potential for layers and layers of complexity to be added in at a later date. In When the time Comes, it was the issue of assisted suicide that pulled me into exploring the impossible choices that someone with a terminal illness is faced with. It is another character driven story of survival, dark secrets and love, just like life and the consequences of that complexity posed many more questions than I could answer and presented an inherent sense of conflict that I wanted to explore and that’s where the concept for the story came from.
Having written three novels, I’ve come to understand that simple plot mechanics are important, but not nearly enough to truly engage readers and I’m a firm believer that the best stories, the stories that stay with you long after the last page is turned, are not just about the issue that they say they’re about. They are about so much more; the character’s inner conflict, the human experience, the inherent dilemma, the psychological and emotional fallout of choices and the way in which the characters circumstances resonate with the reader. So the question still stands, can I, if I haven’t experienced the situation in real life, write my character’s emotions authentically?
The short answer is, yes, because I do know what it feels like. We all do. Let me explain…
I know what pain feels like, what it looks like, what it smells like. I can tell you how emotion overwhelms you when you stand in triumph, conversely too when you cower in fear. I can describe the temperature of tears on my face or the blush of my cheeks and I can tell you the depth of lines around my eyes. Some of them carved from happiness some etched from worry, the deep ones excavated through a deep sorrow that will never leave me. I know what it feels like to laugh contentedly but equally I know what it feels like to cry in desperation. I can recall all my moments of grace and wisdom and likewise I can remember what it feels like to be ridiculous (these occasions are more frequent than I would like).
This is what life is for all of us, a series of emotional responses to human experiences that are riddled with happiness, joy, grief, sorrow and fear. And while everyone experiences emotions in their own inimitable way, this collection of personal life experiences and human stories allow me as a writer, to inform the emotional reaction of a character in an authentic way to the set of circumstances that has been written into the scene. Without this realness, the reader wouldn’t engage emotionally so, the next time you come across that common assumption that writers write from personal experience, it’s not the circumstances of the scene or the event that has a biographical element, but the emotions and empathy that are represented in our characters. (Otherwise I think a few writers in the crime writing ranks have a few questions to answer!).
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